By KURT PITZER CANOGA PARK - Flanked by the severed heads
            and drooling monsters he created for movies such as
            "Aliens" and "Slumber Party Massacre," Rick Lazzarini
            seems an unlikely pioneer for the health sciences. One
            might hardly expect the man behind television's Foster
            Farms chickens and Duracell boxers to know much about the
            human pancreas or bile duct. But with techniques honed for Hollywood, the puppeteer
            and special effects wizard has crafted a set of lifelike
            organs to help train surgeons for the new art of
            endoscopic surgery. Moviegoers may recoil from cinematic
            gore, but surgeons love his gallbladder. Practice with Lazzarini's unique, silicone rubber
            hernia model or uterus, surgeons say, could help
            dramatically lower the number of botched jobs that have
            plagued early endoscopy. The reusable innards also could
            reduce the number of live pigs or expensive cadavers
            sliced open for training. "Surgeons have been searching for models to work on
            forever," said Dr. Robert Gordon of EndoCare, a West Los
            Angeles-based surgery center that developed the models
            with Lazzarini. "This is the closest you can get to the
            real thing without a beating heart and an
            anesthesiologist yelling at you." The use of endoscopes-tiny video cameras and surgical
            tools inserted into the patient at the end of thin
            tubes-revolutionized surgery during the late 1980's. The
            new technique meant shorter hospital stays and smaller
            scars for patients needing relatively minor operations.
            But the procedure required surgeons nationwide to trade
            scalpels for a whole new set of tools and watch their
            movements on a video screen instead of directly in the
            patient. As surgeons quickly tried to learn the tricky
            Nintendo-like methods of removing gallbladders, treating
            hernias and diagnosing stomach, lung and eye problems,
            mistakes were made. "It was the largest post-graduate
            training effort ever attempted," Dr. Edward H. Phillips,
            director of endoscopic surgery at Cedars-Sinai Medical
            Center, said of the switch to the new method. "There was
            simply no precedent or systems to train the 20,000 to
            25,000 surgeons who wanted to learn the technique right
            away." Some older and less-nimble surgeons had trouble
            adapting. In 1992, New York hospital data revealed a rise
            in injuries to gallbladder patients since laparoscopic
            Surgery- endoscopic surgery performed through the
            abdomen-became a popular method of treat- ment. It was
            clear the surgeons needed practice. The demand for
            practice subjects became a boon for U.S. pig farmers, who
            suddenly found hospitals a market for thousands of their
            animals, whose gastrointestinal systems are similar to
            those of humans. But pig parts wear out. Gordon said he and EndoCare
            Director Stephen Shapiro had built a box in 1990 to
            simulate the human frame, but were "frantic" to find
            materials that resembled human tissue to put inside. They
            tried broccoli spears. Too soft. They tried elbow
            macaroni. It ripped too easily. Finally, Gordon said, the
            EndoCare office manager, tired of grocery shopping one
            item at a time, pointed out the office window toward the
            nearby Fox Studios building. "She said, 'Look over there. If they can make aliens
            fly out of Sigourney Weaver's chest, they can probably
            make you a gallbladder,'" Gordon said. "So we made a few
            calls and married the two great industries of medicine
            and Hollywood." At his Canoga Park studio, The Character
            Shop, Lazzarini demonstrated one of his newest
            inventions, peeling back the silicone skin from a face
            model that may soon be on the market for simulated
            plastic surgery and face-lifts. On a table next to him
            sat a model of a knee with an authentic bone
            structure. Although neither is fully developed, Lazzarini said,
            they represent the mushrooming possibilities for
            endoscopic surgery. So far, The Character Shop is
            believed to be the only company in the nation making such
            models. For now, he keeps several staff artists busy
            molding and painting models of the uterus, gallbladder
            and hernia for dozens of orders from hospitals and
            practitioners in the United States and Europe. They work alongside others creating mechanical horses,
            elephant heads and ghoulish masks for upcoming films and
            TV ads. "There's kind of an irony there," Lazzarini said.
            "On one film, we might be spilling someone's intestines
            out, but the next week the same person could be working
            on a model with the viscera intact." Creatures for the
            movies must look real from the outside, but when
            designing surgery models Lazzarini has focused on making
            the human parts seem authentic on the inside. For surgeons, texture counts. Each organ has a
            different feel against the tug of surgical graspers,
            cutting tools and staplers. Lazzarini's bile duct has
            received the most praise. "When you put your endoscope
            inside that model, it really looks like the real thing,"
            said Phillips of Cedars-Sinai. "It absolutely replaces
            the need to use animals." To research the look and feel of human organs,
            Lazzarini thumbed volumes of surgery photos. Then he
            scrubbed down, donned a surgical mask and witnessed
            operations at EndoCare. "After so many years making blood
            spurt out of bodies and flying heads, it was weird,"
            Lazzarini said. "When I saw the real thing, I had to look
            away." 
            
             What's New | Features
         | Commercials | Resume
         | Realistic | Whimsical
         | Scary | Animatronics
         Prosthetics | Puppets
         | Publicity | Waldo®
         | TCS Fun | FX
         FAQ | Feedback | Reference Except where noted, all contents
         are the property of The Character Shop, Inc. and copyright
         1995-98
   
 
       
   
         
       
      
         
       
      
         
       
   
       
         
       
      
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
         
       
      
          
   
            
            CALENDAR
            
            
            
            
            
            Body Shop: Hollywood Lends Surgeons Helping Hand
            
            
            SPECIAL TO THE TIMES
            Model organs created for medical
            training
            by The Character Shop.
            Makeup effects artist Michael
            Esbin
            works on "organ" for The Character
            Shop.
            Rick Lazzarini with mask designed for
            medical training.
            Such creations may soon be available for simulated
            plastic surgery and face lifts.
            
            Rick's note: Excellent coverage of one of our
            sidelines!
            
            
            
            Article from Los Angeles Times,
            Valley News, July 10, 1994
         Article reproduced for review purposes.
         Copyright Los Angeles Times, 1994
         
         
         
         Home